Current Third-Party Funded Research Projects
Freedom’s Journal and the Intermedial Power of Periodicals
This project studies the first Black-owned and Black-published US-American newspaper, Freedom’s Journal (1827–29), exploring how the newspaper offered a unique tool of communication and intellectual stimulation that produced radical cultural meanings—especially for early Black Americans whose opportunities for widespread intellectual cultivation, community growth, and cultural expression were limited. The research focuses particularly on the relationship between Freedom’s Journal’s physical and technological characteristics like its page layout, masthead, and printed visuals, on the one hand, and the newspaper’s textual content on the other hand, including advertisements, short stories, poems, letters, news reports, travel accounts, articles, opinions, extracts, and reviews of literature and theater.
Duration: 2024 – 2027
Project Leader/Principal Investigator: Scott Zukowski
Funding program: FWF: Esprit
Website: scottzukowski.com
Employees: Jolie Bua; TBD
Project Advisory Board:
- Dr. Benjamin Fagan, Auburn University
- Dr. Elizabeth McHenry, New York University
- Dr. Joycelyn Moody, University of Texas at San Antonio
- Dr. Carla Peterson, University of Maryland
- Dr. Irina Rajewsky, Johannes Gutenberg-Universität Mainz
- Dr. Oliver Scheiding, Johannes Gutenberg-Universität Mainz
- Dr. Derrick Spires, University of Delaware
Drag Performers' Online and Offline Identities
Lea Pešec’s doctoral project investigates how US-based drag performers construct and navigate their identities across both online and offline spaces. It asks how drag performers present their identities in these dual contexts, especially at a time when their audiences are broader, more global, and more diverse than ever before due to the expansive reach of digital platforms. While drag has long served as a powerful site for challenging normative ideas of gender and self-presentation, digital media have transformed how performers curate, experiment with, and share their identities. The project examines how in-person performance and digital self-representation intersect to shape fluid, negotiated, and often non-conforming expressions of identity.
Drawing on queer theory, queer methodology, and gender performativity, the study approaches drag as a disruptive practice that resists binary understandings of gender and opens space for fluid modes of identity-making. Methodologically, it combines netnography with visual research methods, including an innovative photo-interview approach in which photographic material is co-created. By bringing together research on gender, queerness, and drag with emerging scholarship on digital cultures, the project highlights how LGBTQIA+ communities use both physical and virtual spaces to broaden possibilities for gender expression and challenge normative structures.
Duration: November 2025 – November 2027
Funding program: DOC Fellowship Programme of the Austrian Academy of Sciences (ÖAW)
Supervisor: Ao.Univ.-Prof. Dr. Klaus Rieser